Saturday, July 28, 2012
Sony PMW-200 camcorder coming September featuring three 0.5-inch CMOS sensors
Sony has announced the PMW-200 handheld camcorder, adding a relatively low-cost model to the company's XDCAM line of cameras.
Featuring HD4:2:2 50 Mb/s recording capabilities and genlock and
Thursday, July 19, 2012
iStabilizer Dolly Universal Camera Mount
iStabilizer announced Dolly, a universal mount for professional-style panning at a range of angles and positions with just about any mobile device. Dolly turns shaky and amateur videos into smooth stunning works of art. It is compatible with any smartphone without requiring the removal of protective cases or bumpers.
Equipped with a built-in iStabilizer Mount, Dolly works with most mobile devices or digital cameras measuring up to
Saturday, July 7, 2012
Grass Valley Ships Latest Version of EDIUS with Cross-Platform Codec and Powerful 3D Content Editing Features
Magic Bullet Photo Looks 2 Released
Adobe Photoshop Lightroom 4: This Image Management Software Will Also Please Video Producers
Beauty Box Video 2.0 Released for Easy Skin Retouching in Assimilate Scratch and Sony Vegas
Saturday, June 23, 2012
The First Wedding In the World Filmed With Ultra-High Definition 3D Cameras
from http://gizmodo.com
" I always hated video in weddings. The quality always look so cheesy. But not this one. This one was filmed with RED Epic cameras on 5K resolution and 3D! These are the same cameras that Peter Jackson is using for The Hobbit or Ridley Scott used for Prometheus.
Gizmodo's friend Peter Chang—from Golden Gate 3D—sent us the teaser trailer for the world's first 3D wedding video shot in stereoscopic 3D on 5K resolution RED Epic cameras. They didn't take any photos, as "each frame can also be extracted as a high resolution 3D still image." That's a technique that some photographers are using now with mixed results—although most photographers don't film with RED Epics.
The wedding was celebrated at The Mirador Estate, in Montecito, near Santa Barbara, California. Peter says that the garden was in full spring bloom, "resulting in some gorgeous 3D visuals to complement Julia and Stuart—the bride and groom."
I hope Julia and Stuart got a 3D TV in their wedding registry.
What do you think? Maybe a bit overkill? Perhaps, but I can guarantee you that most brides would feel jealous. [Thanks Peter Chang, from Golden Gate 3D]"
link for video in 3D

Thursday, June 7, 2012
AJA Video To Support Thunderbolt™ on Windows

Wednesday, May 30, 2012
Will Video Cameras Kill Still Photography? Red Epic Vs Hasselblad
The difference between cameras
The Hasselblad H3D-22 medium format camera
Camera Type Medium Format Interchangeable Lens Camera with Reflex Viewfinder and Integrated Digital Back
Image Quality
Image Sensor 36.7 x 49.0 mm, 22 Megapixel CCD
Effective Resolution 22.2 million pixels
Color Depth 48-Bit RGB
Color Modes Full Color
Image File Formats RAW 3FR
TIFF (8-bit)
Recorded Resolution 4080 x 5440 pixels
The Red Epic 5k Video Camera
Camera Type 5K High Resolution Video Camera with Interchangeable Lenses
Image Quality
Image Sensor 30mm x 15mm, 14 Megapixel CMOS
Effective Resolution 13.8 million pixels
Color Depth 24-Bit RGB
Color Modes Full Color
Image File Formats RAW R3D
TIFF (16-bit)
Recorded Resolution 5120 x 2700 pixels
more at http://fstoppers.com/hasselblad-vs-red
Tuesday, May 29, 2012
Matrox Releases Adobe Creative Suite 6 Drivers
Matrox Video Products Group today released support for the new Adobe® Creative Suite® 6 Production Premium software and Adobe Mercury Transmit with the Matrox MXO2™ family1 of I/O devices and the Matrox Mojito MAX™2 I/O card.
The award-winning Matrox I/O products provide broadcast-quality video and audio input, output, and monitoring to enable
Saturday, May 19, 2012
Side by Side: Scarlet-X & C300
by Sanjin Jukic
This is my first side by side test with RED Scarlet-X and Canon C300.
Cameras were set like this:
Sony HXR-MC50U Camcorder Review
The Sony HXR-MC50U is a pro/prosumer-level camcorder that is packaged with a shotgun mic. The MC50U captures 1080/60i AVCHD video at a max 24Mbps bit rate.
The MC50U features a 1/2.88″ Exmor R CMOS sensor, 10x optical zoom and a 3.5″ touchscreen LCD. As for storage, the MC50U offers 64GB of internal flash storage as well as an SDHC/MemoryStick card slot for external storage options. The internal storage gives you about 6 hours of storage at the max resolution/quality setting. A 32GB SDHC card will, in turn, give you approximately 3 hours of storage.
The storage space will easily outlast a single battery charge, which offers about 3 hours runtime, although higher capacity batteries are available.
Litepanels Introduces Sola ENG Flight Kit
VAN NUYS, CALIF.: Litepanels has introduced the Sola ENG LED Fresnel lighting kit in an FAA carry-on size case. The Sola ENG Flight Kit consists of three Litepanels Sola ENG Fresnel fixtures and accessories including stands, gels, power supplies and cables, barndoors, soft box, a custom rolling case and more. Battery or A/C powered, the Sola ENG is designed for on-camera and portable use. Each fixture offers focusable output comparable to a 125W HMI yet requires 30 watts to power it.
Saturday, May 12, 2012
LockCircle is announcing LockPort 800 for Nikon D800
The LockPort 800 is a new product developed to help avoid damaging your D800 mini HDMI camera port. The LockPort 800 protects definitely the fragile output on your camera from tough production abuse with a rock solid universal clamp and a smart mini to full-size HDMI adapter.
The LockPort 800 camera plate is designed to fit easily every head, baseplate, sliding plate, support out there using the original camera screws already there. Ready in 10 seconds!
The LockPort 800 safely secures a 90° FRONT/REAR mini HDMI to full-size HDMI adapter, protecting forever the “expensive to repair” mini HDMI port on your expensive HDSLR camera. The Adapter has gold plated contacts and the full-size female output allows you to use stronger standard HDMI cables, you can purchase everywhere!
Standard size HDMI plugs locks securely in the socket – no signal loose, and if somebody walks over your cable, the plug still can pop-out saving your camera from falling on the ground. The full-size HDMI 90° output can be used in FRONT or REAR position (2 different adapters) to reach the best cable ergonomics solution on your rig set-up!
The LockPort 800 adapters are availbale in FRONT and REAR editions, also available in kit or sold separately to upgrade the kits or like spare parts!
http://www.lockcircle.com/
http://www.videomag.gr
Test Footage from the Blackmagic Cinema Camera
John Brawley provides some of the first test footage from the $3K Blackmagic Cinema Camera, one of the biggest announcements to come out of this year's NAB.
Below is a look at how the camera handles dynamic range. Check out Brawley's blog here for more of his footage, which include low-light testing.
http://www.creativeplanetnetwork.com
Saturday, April 28, 2012
Digital Video Magazine Announces 2012 NAB Best of Show Black Diamond Winners
Thursday, April 26, 2012
The Nikon D3200 is a 24.2MP DSLR
The Nikon D3200 is a 24.2MP DSLR capable of shooting 1080p HD video. It offers an expanded sensitivity range of ISO 100-12800 and will capture still images at a rate up to 4 fps. HD videos are captured in either 24p or 3op frame rates.
The D3200 features an 11-point AF system and is compatible with the Nikon WU-1a Wireless Mobile Adapter, which allows image sharing with Android devices (iOS devices are planned for future integration) and remote operation from the device.
The Nikon D3200 retails for $699.95 with an 18-55mm VR kit lens and should be available in May. Check availability at B&H Photo.
Highlights of the Nikon D3200:
24.2-megapixel DX-format CMOS sensor
Full HD (1080p) video recording with fulltime AF, manual exposure control and stereo sound via a microphone input jack
Optional WU-1a Wireless Mobile Adapter lets users remotely control the Nikon D3200 and transfer photos for sharing from Android platform smartphones and tablets
Intuitive Guide Mode to walk users through key camera functions and settings
4 fps high-speed continuous shooting at full resolution
Standard ISO range of 100-6400, expandable to ISO 12,800
EXPEED 3 Image Processing and an 11-point AF system that works with Nikon’s Scene Recognition System
The Nikon D3200 outfit with the AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR lens will be available in late April for $699.95 SRP
The optional WU-1a Wireless Mobile Adapter will be available in late May for $59.95 SRP
More info in the press release below.
Friday, April 13, 2012
Saturday, April 7, 2012
Sony’s new palm-sized NXCAM HD camcorder
Sony is giving video professionals enhanced operational freedom with the HXR-NX30E high-definition camcorder, a palm-size addition to Sony’s NXCAM™ line-up. The new model uses Sony’s Balanced Optical SteadyShot™ image stabilisation technology to make it ideal for mobile shooting applications. The new camcorder also offers convenient features such as a built-in projector, all combined in Sony’s smallest, lightest handheld professional camcorder.
“This high-quality yet easy-to-use camcorder is an extremely versatile field production tool,” said Bill Drummond, Strategic Marketing Manager, Sony Europe “It’s perfect for videographers, journalists, educational establishments or .....
Sony introduces smallest and lightest XDCAM camcorder
Sony introduces the full-featured yet light and compact PMW-100 handheld camcorder. The PMW-100 joins the ever popular XDCAM HD422 line-up – making it the smallest and lightest camcorder in the XDCAM family.
Advancement in digital imaging technology has enabled professional journalists and videographers to cover stories by using portable devices such as mobile phones, DSLRs and consumer camcorders. However, when compared to main-stream shoulder mount camcorders, there is still a significant gap in image quality, ease of editing and data management. The PMW-100 achieves the best of both worlds, by recording full broadcast quality MPEG HD422 video within a hand-held form factor.
Equipped with a newly developed 1/2.9-inch “Exmor” CMOS sensor, it delivers excellent picture performance and also .....
Friday, April 6, 2012
Sony Expands NXCAM Line with New Full-HD Super Slow-Motion Camcorder
Sony has announced the new NEX-FS700U Full-HD Super Slow Motion camcorder, the latest in Sony’s line of NXCAM interchangeable E-mount camcorders. The new Super 35mm model is designed for high-speed shooting, capable of capturing footage at up to 960 frames per second. The camera also features a range of capabilities such as 3G HD-SDI output and built-in ND filters. Additionally, it also offers several creative options, shooting styles, and enhanced ergonomics -- all based on customer feedback -- to deliver a flexible production tool that can fit seamlessly into a variety of shooting applications.
“This camera opens a new door to creative shooting,” said Juan Martinez, senior product manager at Sony Electronics’ Professional Solutions of America group. “You can record beautiful high speed full HD movies with .......
Ετικέτες
Full-HD,
NEX-FS700U,
Slow Motion,
sony
Friday, March 30, 2012
Cameras -- NAB Show 2012
The 4K digital cinematography threshold will be crossed by several more camera makers at the 2012 NAB Show, along with advancements in a number of other areas of camera design and performance.of the newest features from Cameras -- NAB Show 2012 in the LINK HERE.
FFV Now Offers Straight-to-Avid Editing Workflows
In a move that will deliver powerful new efficiencies for its rapidly growing base of Avid® customers, Fast Forward Video (FFV) announced native Avid DNxHD® support for its multiformat, straight-to-edit digital video recorders (DVRs), the sideKick HD™ and sideKick HD Studio™. By recording video directly in the Avid DNxHD format, the sideKick HD systems enable the seamless movement of high-quality video content into Avid editing workflows.
“Avid Media Composer is one of the world’s most popular digital nonlinear editing systems, and now ......
VidiGo releases VidiGo Playout
VidiGo releases VidiGo Playout, a 24/7 operating software that mixes and plays out video with highly interactive graphical overlays. The first channels have been successful up and running since the end of 2011.
Marcell Mijwaart, manager TV 538 & SLAM!TV: “The possibilities which VidiGo Playout offer are a perfect match to the ideas we have for our channels. It is not nearly enough to play a number of music videos. A mix of clips, live content and interactive layers enables us to offer attractive TV”......
<--MORE-->
Mix clips with live input based on XML or ‘drag&drop created’ playlists. VidiGo Playout also supports Plugins for the import of specific document formats.
The Adobe Flash based overlays enable you to easily add logos, animations, ads, promos, news banners, twitter feeds etc. to the output SDI signal. No need for expensive specialists to create graphics. Adobe Flash support simplifies and reduces the cost of the traditional time-consuming broadcast graphics creation process.
VidiGo Playout offers excellent possibilities for modern TV channels that, besides video, also want to embrace interactive graphics and social media. It is very simple to realize all kinds of links. In addition to databases, data for real-time interactive graphics can also come from RSS feeds, Twitter or Facebook.
http://www.vidigo.tv
http://www.videomag.gr
Photoshop CS6 (Free) Beta Now Available
Adobe has announced and launched a free beta release of Photoshop CS6. Check out some of the newest features from Russell Brown in the video below.
The video editing looks to be a massive improvement from CS5 Extended. And, the content aware tools have to be a mix of dark magic and alien science. I’m off to play now.
More details and download instructions on Adobe Labs. Enjoy.
FilmLight Releases Baselight for Final Cut Pro
Light today announces the release of Baselight for Apple Final Cut Pro 7. This brings the power and accuracy of the world’s best colour grading system right into the heart of an edit suite.
Designed for editorial houses, post-production facilities, independent filmmakers and other media producers, Baselight for Final Cut Pro allows users to create and apply colour grades to their projects using the same, sophisticated tools found in a full Baselight system—including multi-layered grades—with no restrictions on resolution and complexity. FilmLight’s industry-leading Truelight colour management system is also included, providing accurate, what-you-see-is-what-you-get previews of final materials.
FilmLight will be demonstrating Baselight for Final Cut Pro at NAB.
“Baselight for Final Cut Pro makes high quality colour grading available .....
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